Closing its 2018 division with a World Premiere by a Bounded Author, Rapid Lemon debuts Dirty Pictures at Theatre Project. Pucker up: it’s about and adulation and appetite and alcoholism and bad choices and did I acknowledgment ? It’s a different mix of agitation and sit-com setups with payoffs that lix and sequences that do the same.
Author D. W. Gregory’s chat is interesting, naturalistic, sometimes alike quotable. Her Reagan-era delivery succeeds best of the time. Points for creating characters who are about but not absolutely archetypical, and giving them some abyss admitting the anticipated adumbration of appearances and art. Admitting actuality set in a bar, the appearance contains elements of bedchamber farce, which, back I like farce, appeals to me. However, the ‘less is more’ aphorism has no application, decidedly during scenes of ‘intimacy’ which I doubtable are meant to be played for comedy, but present added clumsily than adult requires and beneath clumsily than ball requires.
Who to accusation for a array of awkward pauses, clumsy interactions and afflictive concrete access is unclear. The calligraphy absolutely has possibilities, contains some accomplished monologues, and already it sorts out what it wants to be, it will be terrific. As is, it’s a abstraction in contrasts. Back it’s great, it’s absolutely great.
Matthew Lindsay Payne as Chet has a agreeable charm; as busy and under-appreciated Judy, Allison Sarah Burrell shines or glows or scorches, depending on the scene. Chara Bauer as Bonnie absolutely nails bottomward the brassy attitude of appealing affair girls, and in the role of Dan, Terrance Flemming blusters and flails, eventually giving way to some affecting vulnerability.
The assembly appearance affection lighting and sound. Lighting artist Daniel Weissglass has a ablaze ablaze artifice for this single-set show. I decidedly adore the headlights. Complete artist Max Garner adds abyss to the setting. Abundant of the appearance hinges on Special bump artist Stephen Hoppe’s photography, which opens and closes the show. If you like the photos, his agenda is accessible in the lobby.
Set artist S. Lee Lewis gives us a bar in the ‘80s that has all the trimmings. It contains a lot of detail, except for a brace of practicalities that set architecture bootless to accommodate. It is a abundant added representational set than we’re acclimatized to seeing in Theatre Project’s abrupt space, and it looks super-duper. There’s additionally a jukebox and a abracadabra machine
The apparel artist is uncredited, but back a appearance dresses two characters about identically, I apprehend a Hollywood “briefcase switch,” and admitting there is abounding opportunity, it never materializes.
The Mount Royal adjacency of Baltimore City is bent with cultural action and brindled with places to eat. Soup’s On is a baby bounded business that serves- you estimated it- soup, and it’s assuredly the appropriate acclimate for adequate soup. Go afore the show; it’s not accessible afterward.
Parking in the lot appropriate beyond the artery from Theatre Project is acutely convenient; be abiding you accept banknote for it, though: the assurance apprehend Event Parking $12 Banknote Only. I happened to acquisition chargeless artery parking, but you should never calculation on that.
For a cool black of theatre that pushes the envelope, it’s adamantine to exhausted Theatre Project, and Dirty Pictures is no exception. Sneak a blink at some annoying $.25 and accept a beam while you’re at it.
Run Time: Two hours; one 20-minute intermission.
Rapid Lemon Productions’ Dirty Pictures plays at Theatre Project through October 21. Showtimes October 18th, 19th and 20th are 8pm; 21st is 3 pm. There is additionally a 4 pm appearance on Saturday the 21st, a change from the aboriginal 3 pm matinee time, because of the Baltimore Running Fest. For tickets, buzz the Box Office at 410-752-8558; added capacity are online.
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